Biography
Louis-Jacob has demonstrated exceptional talent for the harp from a very young age. He began learning the instrument at only five years old at the Conservatoire de musique de Trois-Rivières (CMTR), in Ms. Valérie Milot's class. He later continued his studies with Mr. Matt Dupont, before returning in 2024 under the tutelage of Ms. Milot at the Conservatoire de musique de Montréal.
Despite his young age, he already boasts an impressive track record. He has won numerous prestigious competitions, including gold medals and first prizes at the Sherbrooke, Pierre-de-Saurel, Classival, and Quebec City Music Competitions, as well as at the Canada Music Competition CANIMEX (CMC), where he has twice reached the National Finals. He has also been awarded the title of "Jury's Favorite" three times at the I Musici of Montreal Challenge, performing Lascia ch’io pianga by Handel and the Celtic Concerto by Zaheer, accompanied by the I Musici orchestra under the direction of Maestro Jean-François Rivest in 2022 and 2023.
In 2023 and 2024, he also shone as a finalist at the OMNI Competition of the Orchestre Métropolitain de Montréal, where he performed as a soloist during a laureates' concert. That same year, he was selected to participate in the 12th edition of La Grande Première des Futures Étoiles at the Place des Arts in Montreal, under the artistic direction of cellist Stéphane Tétreault.
Passionate and versatile, he enjoys sharing the stage with his violinist brother or performing solo at regional concerts and Conservatoire events. Always seeking new challenges, he is also studying piano with Mr. Fabien Proulx-Tremblay.
With his determination, exceptional talent, and deep love for music, the future looks bright for this young harp prodigy.
Can you introduce yourself and share how you got into music?
I come from a family of musicians: my brother Julien is a professional violinist in the Wooden Shapes string sextet, my father is a keyboardist and guitarist in a band, and my mother has explored various instruments and singing. Music has always been an integral part of my life.
At three years old, I began learning music theory, flute, and percussion before turning to the piano. However, it was at five that I had a true revelation for the harp, after a school concert where the internationally renowned harpist Valérie Milot performed. I had the opportunity to meet her, try the instrument, and it was love at first sight!
I started taking lessons with her, and the following year, at six, I was officially admitted to her harp class in the preparatory program at the Conservatoire de musique de Trois-Rivières. Later, I studied with Matt Dupont, and two years after that, I returned to study with Mme Milot at the Conservatoire de musique de Montréal.
I started with a small harp before moving on to a Celtic harp, and for the past two years, I have been playing a large 40-string concert harp. During the first year, I could barely reach the pedals! My dream is to have a 47-string concert harp and to perform in major orchestras.
At the same time, I followed a music-study program in piano in my elementary school, and I am currently continuing my piano studies with pianist Fabien Proulx-Tremblay.
What do you believe defines a great harpist, and how do you incorporate your unique style into your music?
For me, a great harpist is someone who knows their instrument well and can bring out the most beautiful sounds from it. It takes a lot of practice to play well and with good flow.
But it’s not just about technique; it’s also about being able to convey emotions, as if telling a story through music. What makes each musician unique is their way of playing a piece because everyone adds a part of themselves to it.
For my part, I try to add my personal touch by exploring different styles and letting my personality shine through the music. I enjoy experimenting with nuances, sounds, and interpretation, while respecting what the composer intended.
My goal is to make people dream while they listen and share my passion for the harp. I’m always ready to play in front of an audience, whether at concerts or competitions. It helps me grow, better manage my stress, and learn from other musicians. The feedback I get after my performances is really important to me and helps me improve.
Can you recall a memorable moment from your career that had a significant impact on you?
I would say that one of the most memorable moments for me was when I discovered the harp at the age of 5. That concert at school really changed my life, because without it, I probably would have never thought about playing this instrument. It makes me realize how important discovery concerts at school are, as they can truly inspire young people to choose an instrument, even the less common ones.
Another big moment for me was when I got my first harp. It was a dream come true! Thanks to it, I can now practice at home whenever I want, without having to go to the conservatory every day. And of course, my parents are always there to support me, and that makes all the difference.
But if I had to choose my most memorable moments, there are two that stand out…
In 2022 and 2023, thanks to a competition, I had the opportunity to perform as a soloist with the I Musici de Montréal Chamber Orchestra under the direction of Maestro Jean-François Rivest. It was an incredible experience! At my age, playing with an orchestra is really rare, and it made me dream of becoming a solo harpist or playing in a chamber music group. My brother Julien has this opportunity with his string sextet, and I would really love to experience that one day too.
Another important moment for me was my invitation, by cellist Stéphane Tétreault, to participate in a benefit concert at the Place des Arts in Montreal, as part of the 12th edition of La Grande Première des Futures Étoiles, in a large, packed performance hall. I played alongside talented musicians of all ages and backgrounds. Although I felt a bit small among them, I was extremely grateful to be there! I even had my first interview on stage in front of the audience. A beautiful moment!
What advice would you give to young musicians who want to start learning the harp or who want to take part in competitions?
I would tell young people who want to start playing the harp not to be scared of the instrument. Yes, it’s big and has a lot of strings, but with patience and practice, you get used to it really quickly! You just need to be curious and enjoy exploring the sounds.
For those who want to participate in competitions, I’d say to prepare well, but most importantly, not to see it as an impossible challenge. The key is to set goals and progress at your own pace. Competitions are a great chance to learn, push yourself, and get feedback to improve. You also need to manage your stress and remember that music is all about fun and sharing!
Don’t listen to those who say that competitions or concerts are too stressful. Of course, you shouldn’t neglect your learning, but these experiences are really valuable and help you grow. They push you to do better and gain confidence, especially if you have a good support system.
What matters is not just winning, but getting better, discovering new pieces, and challenging yourself against other musicians. Every competition or concert is an opportunity to learn and grow.
Finally, the most important thing is to be well supported: having a good teacher (and I’m lucky!), listening to other musicians, and above all, believing in yourself. Every step and every performance helps you grow as a musician.
Would you like to share your experience participating in our competition and anyone you'd like to thank (such as mentors, supporters or other team members)?
Participating in the World Exceptional Musicians competition was an amazing experience for me! It was my first time participating in a competition of this magnitude internationally. Before that, I had already competed in provincial competitions in Quebec and national ones in Canada. These competitions push me to give my best and to push my limits. Each preparation is a challenge, but also a great opportunity to learn and grow as a musician.
I want to thank everyone who supports me every day. First, my harp teacher, Valérie Milot, who helps me progress and perfect my playing. She constantly pushes me to go further and encourages me in all my projects.
My parents, of course, who are always there to support me and help me stay motivated for my daily practice.
My brother Julien, who helps me a lot with my sheet music and gives me valuable advice.
I’m also very grateful to the musicians, judges, and mentors who inspire me and provide me with priceless guidance.
A huge thank you to the organizers of the World Exceptional Musicians competition for giving me the incredible opportunity to share my passion with an international audience and be assessed by a distinguished jury. I’m also deeply grateful for the visibility, recognition, and the valuable experience this competition has given me.
